
Prints EDITIONS
We have designed TULISAN PRINTS EDITION motifs to be composed manually in an organic layout arrangement (not through a computer program for pattern making), to obtain a unique print impression on every cutting pattern. Each product is different, and it has been our technical specs and brand DNA since we started in 2010. After printing, we rotated the serigraph sheet before cutting, to avoid having uniformity of the print positions. Many hand-labour methods of the printing process also add variants to the diversity of print impressions.
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Fragments
Visual snippet derived from Originals Editions

Rating of 4 means .
The rating of this product for "" is 2.
Repetitive Motifs
Recurring elements from deeper narratives

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The rating of this product for "" is 3.
Limited with Variation
Produced in limited quantities through a variety of everyday functional forms
Rating of 4 means .
The rating of this product for "" is 4.
One Story Many Forms
A single story expressed in multiple forms
Rating of 4 means .
The rating of this product for "" is 1.
Fragments
Visual snippet derived from Originals Editions
Rating of 4 means .
The rating of this product for "" is 2.
Repetitive Motifs
Recurring elements from deeper narratives
Rating of 4 means .
The rating of this product for "" is 3.
Limited with Variation
Produced in limited quantities through a variety of everyday functional forms
Rating of 4 means .
The rating of this product for "" is 4.
One Story Many Forms
A single story expressed in multiple forms
OUR Prints COLLECTIONS
Seruni
I wanted to reframe the chrysanthemum as a cross-cultural symbol that connects stories from Java and the world. In both Europe and Asia, chrysanthemums are associated with hope and prosperity, often used in celebrating the Lunar New Year. But I wanted to explore its meaning further.
Alih
“Alih” Prints Edition explores that life is a constant change, and nothing is permanent. Our experiences consist of ups and downs, filled with dark and light emotions. Each moment is as valuable as the other...
Senja
Having a journal from 1997, since I was 23, helps me reflect. Growing up, I experienced dreams, and these visions would come to reality. Lacan suggests that what we perceive as truth is constructed through narrative and language, implying that our understanding of reality is inherently shaped by symbolic representations (2020)...
Madras
Madras is Melissa’s visual interpretation of the shared stories between European and Asian textile cultures. Madras refers to a traditional textile craft from the small villages in India, where natural dyes are used to create distinctive checkered patterns...
Tulip
The Tulip & Paperflower collection, are both inspired from the novel “Ragam Ni Si Marian”. A novel written by Kartini Sjahrir, based on research conducted in the Netherlands and Indonesia, is a work of fiction interwoven with social, political, economic, and inter-racial conflict facts during the colonial period from 1900 to the post-independence year of 1956...
Semanggi
Growing amidst the grasses and often unnoticed, a clover is unique and possesses many virtues. In the narrative of “Roekmini van Jepara”, the term “Semanggi Berdaun Tiga” is given to the three sisters: Kartini, Kardinah, and Roekmini, who are often overlooked in the history. There was no rivalry between them...
Ajita
‘Ajita’ is an ancient Javanese word meaning ‘The Unconquered’. Based on the book ‘Perempuan-perempuan Perkasa’ [The Invincible Women] by Peter Carey and Vincent Houben, the illustrated textile edition of Ajita by Melissa Sunjaya depicts the unyielding spirit of female resurgence through an assemblage of symbolic flowers...

OUR STORY
We believe handmade products have a quirky soulfulness that cannot be mass-produced. Each of our silkscreen prints is carefully handcrafted using water-based pigments.
Due to our commitment to creating exceptional handcrafted products, it is normal to find slight variations from one print to the next. We believe these irregularities enhance the charming and unique character of our items.